How do you top Brangelina/Clooney/U2 Friday?
With Canadiana Saturday.
First up, David Cronenberg’s “A Dangerous Method”. Everything about the movie was beautiful. From the cast to the sets to the magnificent antiques. Each scene gave us time to itemize the silver (that roll top! The match holder! The stemware!) and covet the costumes. Because this flick was slo-o-o-o-w. Michael Fassbinder was mesmerizing. And absent. Kiera Knightly, Viggo Mortensen and newbie beauty Sarah Gadon all showed up. It was, needless to say, a great looking green room with those 3 in it. Even if no one likes to smile for the camera.
In keeping with the Canadian vibe, it was a subdued, quiet room. For the most part.
Next up was local darling Sarah Polley’s “Take This Waltz”. This is her follow up to the acclaimed “Away from Her” and she was quite nervous. But very cute, doing what every lady in the room was dying to do (no, not stalk Viggo!). She – ahem – waltzed in and kicked off her shoes.
As she headed off to calm her nerves and practise her speech, the movie’s stars filed in. Some of them.
I really liked this movie – tho’ heard a couple of philistines bashing it as they hit the streets. A very sensitive and astute story, it centres around a young married woman (Michelle Williams – not here) who falls for her (very hot) neighbour (Luke Kirby).
Just when we thought the story was over, it kept going. And going. And going. Interesting journeys with room for interpretation. The kind of flick you want to discuss afterwards. At least the ladies will. Except for one particularly sexy, fully clothed scene which you’ll probably want to think about privately.
Finally, who shows up to support his main man Seth? Why, Jonah Hill of course. Are they the newer, younger (leaner) Matt ‘n Ben? Not sure. But I have a newfound affection for Jonah Hill. It’s not like my “we’d be friends” connection with Matt Damon – I really do think we’d be friends. This one is more like, not really maternal, but like a concerned Auntie. First off, he introduced himself. As if I didn’t know who he was. And second, when I gushed over his performance – what? he was really really good in Moneyball! – and acknowledged that not many comedians can make that trek over to “serious actor” territory, he welled. Honest to goodness welling! Maybe he’s good at improv. Or maybe he’s just a sweetie. I’m hoping for the second.